The world of fashion, design in general, is, by its very nature, fickle. Clothing is certainly top of the list, but art, architecture, furnishings, almost every other field are all close behind. The desire to be new is built into us. The problem is that our brains tell us to adhere to what works which is what sways us to cling to the old. (Classic products, like Coca-Cola labels are a good example.)The fine line that dictates what might be good, or not so good, can get lost in this seesaw of competing desires.
English antique furniture (and 18th century furniture in general) slots into this dilemma perfectly. Admittedly, the price for it was going ballistic (and still is for certain items) but in essence, there is a reason for the meteoric rise it had in the 1980’s and 90’s. The best of it is the quintessence of quality, built to last, well designed, ergonomically well thought out and beautiful. Simply put, from the point of view of functionality, there are few other eras of furniture that work quite as well.
Notwithstanding this, it is easy to understand why people follow fashion. Our brain seeks stimulation. A building that is made of poured concrete, for example, is new in a world of bricks and mortar. Given that poured concrete can do so much more, you can understand why some might feel this would be the style for the future. And yet, as many Brits will confess about the Southbank Centre complex, it is cold and uninviting, no matter how well it functions. The city of London’s love affair with raw, poured concrete lasted a little too long in the eyes of many.
The reality is that the natural flux of fashion doesn’t call for the destruction of the old. It does call for a re-evaluation of it, however, which is often seen through a lens that is of the moment. Hence, the destruction of wonderful buildings such as Penn Station to name one of thousands. And, of course, this is true in every field. Ironically, particularly as regards to fashion, second hand clothes merchants are doing very well. Certain models of the Birkin bag continue to sell for well over $100,000, for example.
Inevitably, fashion is affected by market which will either diminish or enhance the way we look at things. The second hand market strongly affects our rationale for liking something. I have yet to meet a woman who would not want a Birkin bag, but is it the best hand bag in existence? That is a silly question. The intrinsic value of something is altogether separate from perceived value. And therein lies the rub. But it is also the reason why new markets create themselves. Thank goodness for that.